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Generative Processes in Music: The Psychology of Performance, Improvisation, and Composition (Oxford Science Publications)
  
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Generative Processes in Music: The Psychology of Performance, Improvisation, and Composition (Oxford Science Publications) (Hardcover)

by John A. Sloboda (Editor) "The aim of this chapter is to give an account of generative principles involved in music performance at two levels..." (more)
Key Phrases: onset time differences, perceptual onset, relative onset times, New York, Academic Press, Journal of Experimental Psychology (more...)
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This book draws together pioneering contributions to the study of the processes by which music is created. It redresses a balance in contemporary literature on the psychology of music which has, to date, concentrated mainly on receptive processes. The focus throughout is on empirical observation and the development of cognitive theory, with fascinating explorations of such topics as the generation of expression in musical performance, problems of synchrony in ensemble performance, improvisational skill in trained and untrained musicians, childrens' spontaneous notations for music, and formal constraints on compositional systems.

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