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Plots and Characters: A Screenwriter on Screenwriting
 
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Plots and Characters: A Screenwriter on Screenwriting (Hardcover)
by Millard Kaufman (Author)
  4.6 out of 5 stars 8 customer reviews (8 customer reviews)  


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Editorial Reviews
Pauline Kael on Millard Kaufman's Academy Award-Nominated screenplay Bad Day at Black Rock.
"...a very superior example of motion picture craftsmanship."

Book Description
Part Hollywood history, part history of the art of storytelling, this title is infused with Kaufman's wit, intelligence and love of words. The plots are those of classic films from the 1940s, and the characters are the bosses, bombshells and bad boys of the Golden Age of Hollywood.

Product Details
  • Hardcover: 265 pages
  • Publisher: Really Great Books; New Release edition (April 1999)
  • Language: English
  • ISBN-10: 1893329038
  • ISBN-13: 978-1893329034
  • Product Dimensions: 9.5 x 6.5 x 1 inches
  • Shipping Weight: 1.4 pounds
  • Average Customer Review: 4.6 out of 5 stars 8 customer reviews (8 customer reviews)
  • Amazon.com Sales Rank: #343,365 in Books (See Bestsellers in Books)
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Customer Reviews
8 Reviews
5 star: 75%  (6)
4 star: 12%  (1)
3 star: 12%  (1)
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Average Customer Review
 
 
 
 
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Most Helpful Customer Reviews

 
5 of 11 people found the following review helpful:
3.0 out of 5 stars Oversold, May 25, 2000
By Frank Cunat (Chevy Chase, MD USA) - See all my reviews
I think the reason I didn't like this book as much as some of the other readers is that I was looking for a book on the 'how-tos' of screenwriting, and as one of the main reviews on this page indicates, this book has been hyped as setting a "new standard in screenwriting instruction." It doesn't. It's more accurate to say that the book is Millard Kaufman's memoir of working in the Hollywood studio system, leavened with occasional generalities about writing. Not that these generalities aren't valuable, but it takes Kaufman *more than 100 pages* to start talking about the art of writing. That isn't what you want or expect from an "instructional" book.

Also, anyone with a writing background will disagree with many of Kaufman's generalities. He says that one should never ask for a critique of one's work from another writer, because of, among other things, other writers' jealousy of good work. The *day after* I read that, I met with a fellow playwright who gave me two hours of insightful critique on a play I'd just completed. In another place, Kaufman says, "Readers are only conscious of seeing words on a page when the narrative is so boring or so confused that you can't picture it." I can think of James Baldwin and others as counterexamples.

The point is that when you start questioning Kaufman's generalities, he hasn't presented enough material about the craft of writing to make you trust the rest of the book. I can only recommend this book marginally, since some of the material may be useful if only because it reinforces what you've learned elsewhere. But this definitely should not be high on someone's list.

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5 of 7 people found the following review helpful:
5.0 out of 5 stars A writer's great read, December 20, 1999
By A Customer
An absorbing, intelligent, funny and revealing book, which makes it a great read for writers as well as readers with no such aspirations. After reading the book I finally got free of any guilt feelings I had for liking "The Fugitive" so much. Thanks to "Plots" I now know what a superb scritpt is behind that film. I wish I could be so sure about any personal potential to ever match its excellence.
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5 of 7 people found the following review helpful:
5.0 out of 5 stars superb, witty book f