Thomas Friedman and Fareed Zakaria: Author One-to-One
by Omnivoracious.com at 1:18 PM PDT, September 7, 2008
With both party conventions behind us, we are now in the thick of the election year, the world around us crackling with dialogue, debate, and diatribe as the issues and headlines heat up. On those issues--particularly the future of our economy and the heady questions around America's rank and influence as a global power--there are few authors more knowledgeable or passionate than Thomas Friedman (his newest book, Hot, Flat, and Crowded challenges us to lead the green revolution) and Fareed Zakaria, whose Post-American World poses salient questions about America's future that everybody (and perhaps especially our Democratic candidate) wants to answer. In the spirit of the season, we invited Friedman and Zakaria to strike up a conversation, which we're pleased to share with you here exclusively. --Anne Fareed Zakaria: Your book is about two things, the climate crisis and also about an American crisis. Why do you link the two? Friedman:
I would say that's exactly right. It's the Europeans--and the Japanese
as well--who've done it, Right
now we are doing just the opposite. Bush and Cheney may say the oil
market is “free,” but that is a joke. It's dominated by the world's
biggest cartel, OPEC, and America's biggest energy companies, and
they've shaped this market to serve their interests. Unless government
comes in and reshapes it, we're never going to launch this industry.
Which is one of the reasons I argue in the book, "Change your leaders,
not your light bulbs." Because leaders write rules, rules shape
markets, markets give you scale. Without scale, without being able to
generate renewable energy at scale, you have nothing. All you have is a
hobby. Everything we've doing up to now is pretty much a hobby. I like
hobbies--I used to build model airplanes as a kid. But I don't try to
change the world as a hobby. And that's basically what we're trying to
do. I
argue in the chapter that "outgreening"--the ability to deploy, expand,
innovate and grow renewable energy and clean power--is going to become
one of the most important, if not the most important, sources of
competitive advantage for a company, for a country, for a military.
You're going to know the cost of your fuel, it's going to be so much
more distributed, you will be so much more flexible, and--this is quite
important, Fareed--you will also become so much more respected. I hear
from law firms today: one law firm has a green transport initiative
going for its staff--they only use hybrid cars--another one doesn't. If
some law student out of Harvard or Yale is weighing which law firm to
join--many will say today: "I think I'll go with the green one." So
there are a lot of ways in which you can outgreen your competition. I
think "outgreening" is going to become an important verb in the
dictionary - between "outfox" and "outmaneuver." Politics, Meet Poetry: An Interview with Joshua Beckman and Matthew Zapruder
by Omnivoracious.com at 9:05 PM PDT, September 5, 2008
yes: the 1st photo after the end of America. would you care to unwrap it? If we the people were as funny as you say, then Political poems have a bad reputation. The worst of them hit you over the head, scream at you, or try too hard to be funny or sly or rebellious. But when you encounter even one good one, it can change the way you look at the world (or at least make you thankful that some crazy fool out there feels the same as you). This week, my friends over at Seattle-based Wave Books published a rare anthology: a slim volume of 50 good political poems by 50 poets aptly called State of the Union. Covering a surprising generational and stylistic range, the book comes together as a unified front, a sort of collective voice of contemporary poetry taking on the frenzied political state of our country and our world. And, if that isn’t cool enough: all royalties from the book are going to Swords to Ploughshares, a nonprofit organization that helps homeless and low-income veterans get back on their feet. I caught up with the book’s busy poet-editors, Joshua Beckman (right) and Matthew Zapruder (left), by email: Amazon.com: The timing for State of the Union seems perfect, with such a historic presidential race. How did you decide to do a political anthology? Matthew Zapruder: It has been clear to everyone for a long time that this current presidential election was going to be a historic one, with far-reaching consequences for the U.S. and the world. We wanted as editors, and poets, to contribute to the conversation at this crucial time, by putting together an anthology of poetry that would engage with the themes and issues that confront us, in ways that only poetry can. Over the past several years (especially since 9/11, and then the start of the Iraq war in 2003) we have been noticing an increase in the number of poems that feel to us, or could be called, "political." This is obvious and natural; poets get their material from what surrounds them, and what has surrounded all of us in the last several years is an unmistakable feeling that the position and role of the United States abroad and at home has become more problematic and dangerous. Surely it has always been that way; this is just a time where that consciousness is more clear and urgent. Which is probably a good thing. While the events of the past seven years in particular have been traumatic, it is good that artists are waking up and paying more attention to their role as citizens. Amazon.com: What makes a poem political? How did your definition of a political poem evolve as you went through the process of compiling the anthology? Joshua Beckman: In creating this anthology we tried very hard not to have a definition of what a political poem was, while still constantly asking the question of what makes a political poem. I think we searched for work that felt like it was genuinely motivated by the needs of our present political circumstance. Historically it is easy to identify poetry that responds well to its time, and looking at a broad view of literary history one can see the amazing variety of poetry that has been politically motivated. But it feels far more daunting to have any grasp of the range and depth of contemporary work in relation to a political environment one is experiencing first hand, and I believe that was our challenge before we edited the anthology and continues to be. The more poems we saw the more we recognized the vastness of the needs that created them. Amazon.com: Does this anthology have a central theme or message? The accumulation of voices reporting on the emotional and political state of America is powerful in itself, but I wondered if you began to see a shared message emerging, or if you had a central idea in mind all along. MZ: No, we don't think it does. There are plenty of places one can find all the messages one needs about what is right/wrong with the state of the world today--in fact, it would be very difficult to escape those messages. But we believe there is a kind of consciousness and awareness of the world that can only happen to someone when that person is reading or hearing (or writing) a poem. This consciousness is often considered separate from political discourse. We wanted to get away from this reflexive idea that a poem couldn't be political and also a true poem, that somehow any political act in poetry immediately contaminates it, and turns it into propaganda or polemics. We are deeply concerned with social and economic justice, equality, violence, and the minds, bodies, and souls of our fellow human beings. Any work of art that enacts and summons awareness of how society and government affect those things--and how our inevitable position as members of a larger national community makes us responsible for them, and each other--can be called "political." Amazon.com: The poems in the collection manage to avoid the pitfalls that you generally find in political poems. They’re unrelenting without being heavy handed, and funny (at times) without being glib. I’m sure this is a matter of the poets you chose. What was your selection process? JB: For years we have encountered poets with deep connections to both poetry and politics and an aversion to their co-existence. I think this comes from a fear of strong ideas becoming dogmatic, or maybe simply that there is a belief that for many, at the core of their poetic practice is a mystery or unknowing and that this mystery seems an impossible partner with the direct needs of political action. I think we searched for poems created simultaneously out of that unknowing and need. Amazon.com: Can you talk more about your process or gathering the poems? I know you had an open submissions process, and I definitely see poets here that I have not read before, and you also have luminaries and regular Wave authors. Did you ask for people to submit poems that they considered to be political, or did you target specific poems that you'd read? JB: Actually, we decided early on not to solicit for submissions. I think part of our concern was that people would write poems for the anthology. Our sense was that there was a growing body of political poetry written in direct response to a set of personal and social needs and that there was a real necessity in this work, and it was often this necessity we found inspiring. So, we (and here I should say it was not just Matthew and me, but everyone at Wave Books) spent about two years looking through libraries, magazines, and websites searching for work by people who we were familiar with and by many people who were new to us. We took a lot of time with the open reading period and learned a lot about what was motivating political poems. We had done general open reading periods at the press before but never something like this. I think the topic drew a greater range of poets and that pushed us to continue to look more broadly. Amazon.com: With the open submissions, did you find a lot of poems that you really liked but for whatever reason did not fit into the anthology? Can you talk about that experience a little? JB: With both the submission period and in the outside reading we found many many poems that didn't fit into the anthology. From the beginning we had planned to make it a short anthology, and by the end it seemed even shorter. The limitations, however, made it easier to focus on the task of the book, to look at it as an attempt in the middle of many other attempts. By the time we came near the end of editing we still had more than twice the poems we could use in the anthology. Amazon.com: One thing that Wave does really well is publish books that are thoughtfully designed. Can you talk a little bit about the design of this book? (E.g., the 1776 pamphleteer-style fonts, which play up the urgency of the material in a subtle way and have some fun with the whole citizen poet thing.) JB: For us, the present political work seems to draw strength and insight from previous poetic political endeavors, the baldness of earlier discourses and a different social role for the poet. It is great to hear you call it "urgency" because it is hard to express urgency in a climate where every soft drink seems to be demanding direct action. I think we hoped that something slightly antiquated would create a remove in which the work could be heard and become present on its own. Amazon.com: You’re donating your royalties to Swords to Plowshares, an organization that helps veterans. What encouraged you to support them? JB: They are an amazing organization, and one dealing with some of the most pressing social needs. Amazon.com: Is there anything you want people to know about your upcoming readings? JB & MZ: We wish we could be at all of them. --- Wave is hosting a series of readings around the country for the book, which they kicked off Thursday with a monster reading/voter registration at NYU. Check their website for a schedule of upcoming readings. To preview poems from State of the Union, see the book’s Amazon page, as well as the Wave Books website. --Heidi Stan Nicholls' Orcs Cometh! Me Prettify Orcs! You Read...
by Omnivoracious.com at 9:56 AM PDT, September 4, 2008
That's the opening of the intimidating new edition of Stan Nicholl's Orcs, released this month from Orbit Books. It collects three novels previously published in England. The books provide an alternate rationale for those perennial bad guys, the orcs, and have sold over a million copies overseas. Orbit's cover for the book matches the tough-guy prose inside. So much so that I got sick of looking at the ugly mug on the outside, effective as it might be, and decided to "prettify" my copy of Orcs. Just look at what a few randomly applied stars, flowers, smiley-faces, and the like can do to make a cover more humane! In fact, maybe Orbit should even run a "Beautify Your Orcs" contest. I bet readers would get a kick out of that. All silliness aside, this is a significant release, with a striking cover, from one of the hottest publishers in genre fiction at the moment. Check it out if you want some gritty realism with your fantasy. End-o'-the-Week(end) Kid-Lit Roundup
by Omnivoracious.com at 11:30 PM PDT, August 24, 2008
In this week's roundup, I'm filling in for Paul as we go back to the UK for more controversy and demonstrate our uber-Ameri-sentimentality about Lady Liberty and something all kids love--play!
Amazon.uk has a charming video of Wilson talking about the book. Could this lady possibly be offensive? Please! This comes on the heels of Sian Pattenden's report earlier this month that Random House was adding a "morality clause" to their author's contracts. (reported by Cory Doctorow in BoingBoing last week)
O.K., well, we are gooey about our national landmarks One thing I loved about this book, besides seeing the whole history
of how the statue was conceived and built, was learning about how it
was paid for. Basically, when sculptor Auguste Bartholdi visited the U.S. "everyone was polite and seemed interested. But no one offered to raise money to build her." So they got donations from French citizens to help build
the statue, then Joseph Pulitzer asked his readers to chip in with the
donations for the base (including one girl who sent her two pet roosters). And we're not alone in loving the book. It got starred reviews from Booklist and The Horn Book. Here are a few more reviews from earlier this year: Seven Impossible Things Before Breakfast
Lewis adds a list of books that encourage or celebrate play, ---
In topics: Controversial, Family Room, News Junkies, Nonfiction, Parenting, Read This!, Recently Reviewed
The Seeds of Change: Top Five Things You Can Do
by Omnivoracious.com at 7:38 AM PDT, August 19, 2008
Seeds of Change is a cool new anthology edited by John Joseph Adams and featuring work by Jay Lake, Tobias Buckell, and many others. A compact, small-sized hardcover from Prime Books, it's a work of art just in the design alone. The stories, which deal with social and environmental issues, are thought-provoking and strong. Recently, I asked Adams to give me a list of things readers can do in connection with the anthology, which is itself a call for being proactive in helping with some of the most pressing problems facing us on a global level. Here's his response... John Joseph Adams: In the introduction to my anthology, I said: "It is my hope that reading these stories inspires some to plant their own seeds of change—that when we see something wrong, we'll do something about it, whether that means writing to your representative in congress or researching a cure for a disease or simply speaking out against inequality and prejudice. We're all in this together—and the first step toward change can begin with any one of us." So, obviously one of the main ideas behind the book was that science fiction can be a mode of social change. With that in mind, I'd like to offer up five ways--not necessarily the top five ways--you can plant seeds of change of your very own. (1) Donate. We live in a land of privilege, but some of us are more privileged than others. If you can afford to spare the money, consider donating to a charitable organization. Uncle Sam will thank you come tax time, but do it for the karma, not the tax write-offs. Not sure who to donate money to? Check out Network for Good, which acts as a charitable clearinghouse, allowing you to discover and donate to a number of different charities and track your contributions. (2) Volunteer. If you can't afford to donate money, or just want to do more than that, try donating your time. Charitable organizations of all kinds are always in need of volunteers to help make their organizations work. Not sure how to get involved? Check out VolunteerMatch.org, which helps match up volunteers with charitable organizations that need their assistance. (Network for Good can also help you find volunteering opportunities.) (3) Recycle. Mother Earth has given us a lot; recycling is one of the |