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Editorial Reviews
From Publishers Weekly
Swanwick's nihilistic tale features a human changeling who tries to make her way in a cutthroat society that mirrors contemporary life. While the players are elves, dwarves, lamies and other "magickal" creatures, they could be 20th-century juvenile delinquents and power politicians in a society ruled by caste snobbery, drugs, a mall culture and child labor. Determined to end her slavery in a steam dragon plant, the young human Jane escapes with the help of a rusted old dragon hulk named Melancthon. Thereafter, she goes to school disguised as a fey in order to learn the magic necessary to repair the ravages inflicted on the dragon by time and battle. But the misfit Jane finds school horrifying, and she turns to shoplifting to gain friends. She falls in love with a young man destined to be the annual sacrifice; when she loses her virginity, her usefulness to Melancthon as a magic-maker is ended. After her lover's tragic death, Jane is taken under the wing of a power-hungry elven lord, Galiagante. Eventually she joins Melancthon once again as he sets out to destroy the Universe. Nebula Award-winner Swanwick ( Stations of the Tide ) develops a powerful, yet dark and hopeless fantasy that should forever shatter charming illusions of Faerie and its folk.
Copyright 1993 Reed Business Information, Inc.
From Library Journal
When Jane, a human changeling, steals a magical steam dragon to escape the factory/prison that has been her home, she embarks on a life of freedom and normalcy in a world of timeless shopping malls, alchemy classes, and high school "wicker" queens--only to find that her stolen dragon has other, bigger plans that may change her life forever. Swanwick ( Stations of the Tide , Avon, 1992) brings his particular brand of elan to the fairy world, where high tech and magic are interdependent and where the denizens of folklore include leather-clad werewolves, half-elven pilots, and brash dwarven mechanics. Combining cyberpunk's grit with dystopic fantasy, this iconoclastic hybrid is a standout piece of storytelling.
Copyright 1993 Reed Business Information, Inc.
See all Editorial Reviews
Swanwick's nihilistic tale features a human changeling who tries to make her way in a cutthroat society that mirrors contemporary life. While the players are elves, dwarves, lamies and other "magickal" creatures, they could be 20th-century juvenile delinquents and power politicians in a society ruled by caste snobbery, drugs, a mall culture and child labor. Determined to end her slavery in a steam dragon plant, the young human Jane escapes with the help of a rusted old dragon hulk named Melancthon. Thereafter, she goes to school disguised as a fey in order to learn the magic necessary to repair the ravages inflicted on the dragon by time and battle. But the misfit Jane finds school horrifying, and she turns to shoplifting to gain friends. She falls in love with a young man destined to be the annual sacrifice; when she loses her virginity, her usefulness to Melancthon as a magic-maker is ended. After her lover's tragic death, Jane is taken under the wing of a power-hungry elven lord, Galiagante. Eventually she joins Melancthon once again as he sets out to destroy the Universe. Nebula Award-winner Swanwick ( Stations of the Tide ) develops a powerful, yet dark and hopeless fantasy that should forever shatter charming illusions of Faerie and its folk.
Copyright 1993 Reed Business Information, Inc.
From Library Journal
When Jane, a human changeling, steals a magical steam dragon to escape the factory/prison that has been her home, she embarks on a life of freedom and normalcy in a world of timeless shopping malls, alchemy classes, and high school "wicker" queens--only to find that her stolen dragon has other, bigger plans that may change her life forever. Swanwick ( Stations of the Tide , Avon, 1992) brings his particular brand of elan to the fairy world, where high tech and magic are interdependent and where the denizens of folklore include leather-clad werewolves, half-elven pilots, and brash dwarven mechanics. Combining cyberpunk's grit with dystopic fantasy, this iconoclastic hybrid is a standout piece of storytelling.
Copyright 1993 Reed Business Information, Inc.
See all Editorial Reviews
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Citations
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25
books
cite this book:
- The Year's Best Science Fiction, Thirteenth Annual Collection by Gardner Dozois in Front Matter, and page 287
- Tales of Old Earth by Michael Swanwick on page 279, and Back Cover